Bashkirtseff - In The Studio
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Marie Bashkirtseff (born Mariya Konstantinovna Bashkirtseva, russian: Мария Константиновна Башки́рцева; 1858–1884) was a Ukrainian artist from the Russian Empire who worked in Paris, France. She died aged 25.


Life and painting career

Bashkirtseff was born Maria Konstantinovna Bashkirtseva in Gavrontsi near Poltava,
Russian Empire The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. ...
(now Ukraine) to a wealthy noble family. Her father was a local Marshal of Nobility Konstantin Pavlovich Bashkirtsev. Her mother Maria Stepanovna Babanina (1833—1920) also belonged to Russian nobles. Her parents separated when she was 12. As a result, she grew up mostly abroad, traveling with her mother throughout most of Europe, with longer spells in Germany and on the Riviera, until the family settled in Paris. Educated privately and with early musical talent, she lost her chance at a career as a singer when illness destroyed her voice. She then determined to become an artist, and she studied painting in France at the Robert-Fleury studio and at the Académie Julian. The Académie, as one of the few establishments that accepted female students, attracted young women from all over Europe and the United States. Fellow students at the Académie included Anna Bilińska-Bohdanowiczowa and especially Louise Breslau, whom Bashkirtseff viewed as her only real rival. Bashkirtseff would go on to produce a remarkable, if fairly conventional, body of work in her short lifetime, exhibiting at the Paris Salon as early as 1880 and every year thereafter until her death (except 1883). In 1884, she exhibited a portrait of Paris slum children entitled ''The Meeting'' and a pastel portrait of her cousin, for which she received an honorable mention. Bashkirtseff's best-known works are ''The Meeting'' (now in the Musée d'Orsay, Paris) and her 1881 ''In the Studio'', a portrait of her fellow artists at work. Although a large number of Bashkirtseff's works were destroyed by the
Nazi Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in ...
s during
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing ...
, at least 60 survive. In 2000, a U.S. touring exhibition entitled "Overcoming All the Obstacles: The Women of Academy Julian" featured works by Bashkirtseff and her schoolmates. As a painter, Bashkirtseff took her cue from her friend
Jules Bastien-Lepage Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. His most famous work is his lan ...
's admiration for realism and naturalism. Where Bastien-Lepage had found his inspiration in nature, Bashkirtseff turned to the urban scene, writing, "I say nothing of the fields because Bastien-Lepage reigns over them as a sovereign; but the streets, however, have not yet had their... Bastien." By unlucky chance, both artists succumbed prematurely to chronic illness in the same year, and the later pages of Bashkirtseff's journal record her visits to the dying painter. Dying of
tuberculosis Tuberculosis (TB) is an infectious disease usually caused by '' Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, i ...
at the age of 25, Bashkirtseff lived just long enough to emerge as an intellectual in Paris in the 1880s. She wrote several articles for
Hubertine Auclert Hubertine Auclert (; 10 April 1848 – 4 August 1914) was a leading French feminist and a campaigner for women's suffrage. Early life Born in the Allier ''département'' in the Auvergne area of France into a middle-class family, Hubertine Aucl ...
's feminist newspaper ''
La Citoyenne ''La Citoyenne'' (''The Citizeness'') was a French feminist newspaper published in Paris from 1881 through 1891 by Hubertine Auclert. It was first published on February 13, 1881, and appeared bi-monthly. The newspaper was a forceful and unrelen ...
'' in 1881 under the
nom de plume A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen na ...
"Pauline Orrel." One of her most-quoted sayings is "Let us love dogs, let us love only dogs! Men and cats are unworthy creatures." Bashkirtseff died in Paris in 1884, and she is buried in
Cimetière de Passy Passy Cemetery (french: Cimetière de Passy) is a small cemetery in Passy, in the 16th arrondissement of Paris, France. History The current cemetery replaced the old cemetery (''l'ancien cimetière communal de Passy'', located on Rue Lekain), w ...
, Paris. Her great friend
Prince Bojidar Karageorgevitch Prince Bojidar Karageorgevitch ( sr, Кнез Божидар Карађорђевић / ''Knez Božidar Karađorđević''; 11 January 1862 – 2 April 1908) was a Serbian artist, art writer, world traveller, and member of the Serbian Karađorđev ...
was present at her deathbed. Her monument is a full-sized artist's studio that has been declared a historic monument by the government of France. Marie Bashkirtseff was included in the 2018 exhibit ''Women in Paris 1850-1900''.


The diary

From approximately the age of 13, Bashkirtseff kept a journal, and it is probably for this that she is most famous today. It has been called "a strikingly modern psychological self-portrait of a young, gifted mind," and her urgent prose, which occasionally breaks out into dialogue, remains extremely readable. She was multilingual and despite her self-involvement, was a keen observer with an acute ear for hypocrisy, so that her journal also offers a near-novelistic account of the late nineteenth century European bourgeoisie. A consistent theme throughout her journal is her deep desire to achieve fame, inflected by her increasing fear that her intermittent illnesses might turn out to be tuberculosis. In a prefatory section written toward the end of her life, in which she recounts her family history, she writes, "If I do not die young I hope to live as great artist; but if I die young, I intend to have my journal, which cannot fail to be interesting, published." Similarly: "When I am dead, my life, which appears to me a remarkable one, will be read. (The only thing wanting is that it should have been different)." In effect, the first half of Bashkirtseff's journal is a coming-of-age story while the second is an account of heroic suffering. Bashkirtseff's journal was first published in 1887, and was only the second diary by a woman published in France to that date. It was an immediate success, not least because its cosmopolitan confessional style was a marked departure from the contemplative, mystical diaries of the writer
Eugénie de Guérin Eugénie de Guérin (29 January 1805 – 31 May 1848) was a French writer and the sister of the poet Maurice de Guérin. Her ''Journals'' (1861, Eng. trans., 1865) and her ''Lettres'' (1864, Eng. trans., 1865) indicated the possession of gifts o ...
that had been published in 1862. An English translation appeared two years later under the title ''Marie Bashkirtseff: The Journal of a Young Artist 1860–1884''. Translated by Mary J. Serrano, it was heavily abridged and bowdlerized, her relatives seeing to it that a good deal of material they considered unflattering to the family was removed. British Prime Minister William Gladstone referred to her journal as "a book without a parallel", and another early admirer was
George Bernard Shaw George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from ...
. The late nineteenth century English novelist
George Gissing George Robert Gissing (; 22 November 1857 – 28 December 1903) was an English novelist, who published 23 novels between 1880 and 1903. His best-known works have reappeared in modern editions. They include '' The Nether World'' (1889), '' New Gr ...
read the original French version over eight days in June 1890.Coustillas, Pierre ed. London and the Life of Literature in Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, p.219-20. It remained popular, eventually spinning off both plays and movies based on her life story, including '' The Affairs of Maupassant'', directed by
Henry Koster Henry Koster (born Hermann Kosterlitz, May 1, 1905 – September 21, 1988) was a German-born film director. He was the husband of actress Peggy Moran. Early life Koster was born to Jewish parents in Berlin, Germany. He was introduced to ci ...
and released in the United States in 1938. Her diary was cited as an inspiration by the American writer Mary MacLane, whose own shockingly confessional diary was written a bare generation later, and it was mentioned as a model by later writers who became known for their diaries, including
Pierre Louÿs Pierre Louÿs (; 10 December 1870 – 4 June 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who sought to "express pagan sensuality with stylistic perfection". ...
,
Katherine Mansfield Kathleen Mansfield Murry (née Beauchamp; 14 October 1888 – 9 January 1923) was a New Zealand writer, essayist and journalist, widely considered one of the most influential and important authors of the modernist movement. Her works are celebra ...
,
W.N.P. Barbellion Wilhelm Nero Pilate Barbellion was the pen name of Bruce Frederick Cummings (7 September 1889 – 22 October 1919), an English diarist who was responsible for '' The Journal of a Disappointed Man''. Ronald Blythe called it "among the most movin ...
, and Anais Nin. Her letters, consisting of her correspondence with the writer
Guy de Maupassant Henri René Albert Guy de Maupassant (, ; ; 5 August 1850 – 6 July 1893) was a 19th-century French author, remembered as a master of the short story form, as well as a representative of the Naturalist school, who depicted human lives, destin ...
(which she had begun under an assumed name) were first published in 1891. Until recently the accepted date of Bashkirtseff's birth was 11 November
New Style Old Style (O.S.) and New Style (N.S.) indicate dating systems before and after a calendar change, respectively. Usually, this is the change from the Julian calendar to the Gregorian calendar as enacted in various European countries between 158 ...
], 1860. After the discovery of the original manuscript of Bashkirtseff's journal in the Bibliothèque nationale de France, however, it was found that her journal had been abridged and censored by her family in its first editions. Her date of birth (1858 not 1860) was falsified by her mother to make Bashkirtseff appear even more precocious. An unabridged edition of the complete journal, based on the original manuscript, has been published in French in 16 volumes, and excerpts from the years 1873–1876 have been translated into English under the title ''I Am the Most Interesting Book of All'' (see editions listed below). Image:Bashkirtseva Autumn.jpg, ''Autumn'', 1883 Image:Bashkirtseff - The Meeting.jpg, ''The Meeting'', 1884 Image:Marie Bashkirtseff - Der Regenschirm - 1883.jpeg, ''The Umbrella'', 1883 Image:Marie Bashkirtseff 2.jpg, ''Spring'', ca. 1884


Editions of the diary

* ''The Journal of Marie Bashkirtseff: I Am the Most Interesting Book of All (Volume I) and Lust for Glory (Volume II)''. English Translation by Katherine Kernberger. E-book version: , Publisher: Fonthill Press, 2013. * ''Mon journal. Texte intégral.'' Volumes I-XVI (complete text of the journal, transcribed by Ginette Apostolescu). Paris: Montesson (5 rue Jean-Claude-Bézanier, 78360 ). Cercle des amis de Marie Bashkirtseff, 2005. . * ''I Am the Most Interesting Book of All: The Diary of Marie Bashkirtseff Vol 1''. English translation by Phyllis Howard Kernberger and Katherine Kernberger. , , Publisher: Chronicle Books, 1997. * ''Journal of Marie Bashkirtseff.'' Translated by A.D. Hall and G.B. Heckel. New York: Rand, McNally, 1890. (Title page state: "The only complete English edition"). * ''The Journal of Marie Bashkirtseff.'' Translated, with an introduction, by Mathilde Blind. 2 volumes. London, 1890. * ''Marie Bashkirtseff: The Journal of a Young Artist 1860–1884''. English translation by Mary J. Serrano. New York: Cassell, 1889. * ''Journal de Marie Bashkirtseff, avec un portrait''. 2 volumes, 1887.


References


Further reading

* Schiff, Joel.
Portrait of Young Genius – The Mind and Art of Marie Bashkirtseff
'. Wilmington: Vernon Press, 2016. * Creston, Dormer, and Dorothy Julia Baynes. ''Fountains of Youth: The Life of Marie Bashkirtseff''. Taylor & Francis, 1936. * Cronin, Vincent. ''Four Women in Pursuit of an Ideal''. London: Collins, 1965; also published as ''The Romantic Way''. Boston: Houghton Mifflin, 1966. * Maupassant, Guy de, and Marie Bashkirtseff. '' 'I Kiss Your Hands': The Letters of Guy de Maupassant and Marie Bashkirtseff''. Rodale Press, 1954. * Fisher, T. ''A Study of Marie Bashkirtseff''. Unwin, 1892. * Garb, Tamar. "'Unpicking the Seams of Her Disguise': Self-Representation in the Case of Marie Bashkirtseff." George Robertson et al. ''The Block Reader in Visual Culture''. New York: Routledge (1996). * Hartman, Kabi. "Ideology, Identification and the Construction of the Feminine: ''Le Journal de Marie Bashkirtseff''." ''The Translator'' 5.1 (1999): 61–82. * Hubbard, Tom, ''Marie B.: A Biographical Novel'', Kirkcaldy: Ravenscraig Press, 2008. * "S". "The Journal of Marie Bashkirtseff: an Exposure and a Defence." ''Black and White'', 6 Feb and 11 April 1891, pp. 17 and 304. * Wilson, Sonia. ''Personal Effects: Reading the Journal of Marie Bashkirtseff''. London: LEGENDA (Modern Humanities Research Association)/Maney, , 2010. * Aldiss, Brian
Friendships: Marie Bashkirtseff


External links

* *
Unpublished diary leaves, held at the Getty Research Institute
{{DEFAULTSORT:Bashkirtseff, Marie 1858 births 1884 deaths 19th-century deaths from tuberculosis 19th-century painters from the Russian Empire 19th-century women artists from the Russian Empire 19th-century women writers from the Russian Empire Académie Julian alumni Burials at Passy Cemetery Women sculptors Feminist artists Tuberculosis deaths in France Monuments historiques of Paris Russian nobility Emigrants from the Russian Empire to France Russian women painters Russian feminists Women diarists 19th-century diarists